All posts by Keith Call

Prexy says, “Merry Christmas and fear not!”

President and Mrs. Edman decorate the tree, 1954.
President and Mrs. Edman decorate a tree, 1954.

Dr. V. Raymond Edman, fourth president of Wheaton College, wrote a brief devotional called “Prexy Says” for the Wheaton Alumni magazine. Here is his confident exhortation for December, 1959:

Of course we believe in angels – but do we?

The Christmas story abounds in references to angels who spoke to Zacharias, Mary, Joseph, and the shepherds. The scriptures assure us that angels are “ministering spirits, sent forth to minister to them who shall be heirs of salvation” (Hebrews 1:14).

They are our unseen but very real helpers; and we should believe in them Christmas Day and every day.

And here is his entry for December, 1960:

There is no need to be afraid! The Christmas story abounds in assurance for the apprehensive. The word to Zacharias was, “Fear not…” (Luke 1:13). To Mary it was, “Fear not…” (Luke 1:30) To Joseph it was, “…Fear not” (Luke 2:10). And to all of us it is, “Fear thou not; for I am with thee: be not dismayed; for I am thy God: I will strengthen thee; yea, I will help thee; yea, I will uphold thee with the right hand of my righteousness.” (Isaiah 41:10).

Afraid of something or somebody?

Fear not!

Project Evangel

The Evangel 4500, constructed by pilot-mechanic Carl Mortenson of Wycliffe Bible Translators, was the first twin-engine airplane specially designed for missionary use in the most remote, rugged areas of the world. Before Mortenson’s innovative engineering on the craft, small planes were limited to single-engine capability, susceptible to power failure during takeoff and landing on short jungle runways.

EvangelReceiving funding from several Chicago laymen, the Evangel 4500 was ready for its first major mission in 1969. Passengers for thetwo-month voyage to South America were pilot Mortenson, Dr. Paul Wright, chairman of the chemistry department  at Wheaton College, and nine other board members of Project Evangel.

Explaining the need for the plane, Wright remarked, “We don’t feel it’s right to expose missionaries to the hazards of a single engine plane. The Evangel 4500 can carry two passengers in addition to its 4 x 4 x 9 storage area, or the entire space can be used for passengers. It can take off with a full load in 498 feet. Its maximum altitude is 22,500 feet, but one with engine gone it can still fly at 7100 feet.” After the successful flight, Wright often lectured at local churches, telling the story of the unique airplane and its mission.

The Drum and I

This exotic object might resemble the genie’s bottle from the 1960s TV comedy, I Dream of Jeannie, but it is actually a drum. In 1946 diplomat Kenneth Landon traveled frequently to Thailand, attempting to define how that country might integrate into the United Nations. One trip involved attending the cremation of the newly deceased king and the coronation of his brother. During the immediate post-war years many Thai experienced tremendousdrum difficulties after surviving the Japanese invasion of their land. Attempting to re-establish their influence, the Thai often exercised hard decisions, such as offering artifacts to visitors they trusted. One family claimed that their lizard skin drum with its abalone mosaics was authentic to the monarchy of either King Mongut or his son, Prince Chulalongkorn, both featured in Margaret Landon’s classic novel, Anna and the King of Siam, which was later reworked by Rodgers and Hammerstein into the popular Broadway musical The King and I.

The family offered to sell Kenneth the drum which they assured him was a prized possession.  He was able to ship the drum to Washington, DC in the diplomatic pouch, thus avoiding the complications of a private sale. Kenneth and Margaret’s son, Will, received the drum as an inheritance from their estate.

The papers of Kenneth and Margaret Landon are available for research in Special Collections, Buswell Library. Thanks to Will Landon for providing the artifact and information.

Some useful plan or book

b51252016 marks the final year in which the hard copy of Wheaton College yearbook, The Tower, is published. Due to budgetary restraints and relative lack of interest among students, the administration decided to cease publication.  From this point forward information will be collected digitally. Collectively, the yearbooks cover approximately 2/3 of the college’s 156-year life, capturing for posterity priceless moments and pertinent personal information.

It was 30 years after the college’s founding in 1860 before students published  the first iteration of the yearbook, Wheaton College Echoes, ’93. An editorial excitedly anticipates a bright future, observing with comic pomposity, “And then, don’t you know, exuberant genius is best developed by at least an annual overflow.” The editors wistfully quote:

That I for dear auld Wheaton’s sake,

Some useful plan or book could make,

Or sing a song at least?

Echoespublishing advertisements, student and faculty directories and silly anecdotes, continued until 1900 when it ceased publication for reasons now forgotten. After a lengthy absence the yearbook resurfaced in 1922 as The Tower, adopting the traditional format of profiling students of each class and faculty through photos and chatty text, along with chapters dedicated to sports, music, literary societies and various clubs. The editors write:

In presenting the first edition of The Tower, the Junior Class has attempted to concentrate the events of the college year in such form that they will be kept and treasured by the students in years to come….If this book affords the graduate pleasant reminiscences and inspires the undergraduate with a greater devotion to Alma Mater, the Juniors will feel they have accomplished their plan.

Indeed, The Tower, initially printed by Schulkins Printing Co. of Chicago, appeared annually, maintaining traditional packaging with a few notable variations. For instance, the 1941 Tower, edited by artist Phil Saint, is liberally peppered with his own gently humorous caricatures of faculty and campus life. In fact, Saint includes on the final page a cartoon of himself as a stuffed head, Flippius Santus, “now extinct.” Saint2Years later Saint’s brother, Nate, would die with Jim Elliott and four other missionaries at the hands of Waorani tribesmen in Ecuador.

In 1945 a saddle-stitched paperback supplement, The Armed Forces Tower, exhibiting several galleries of Wheaton College active duty soldiers and deceased Gold Star Veterans, was distributed with The TowerThe Armed Forces Tower also exhibits an illustration for the proposed Memorial Student Building, eventually built in 1950 after a fundraising campaign. The structure now serves as the political science department. The supplemental edition also contains Dr. V. Raymond Edman’s famous tribute to the young men and women populating his beloved campus, the “brave sons and daughters true” who carry the gospel of Christ to far countries.

The most innovative packaging of The Tower appeared in 1972, when it was divided into three paperbacks, each profiling an aspect of campus life with artistic photos and scattered poetry. The package includes a cassette tape recording of philosophy professor Dr. Stuart Hackett’s band in concert.

Like any journal, The Tower faithfully records the moods, milestones and fancies of the hour. The College Archives, Buswell Library, where a complete set of The Tower is maintained, bids a fond adieu to this perennially useful historical document.

Thumbprints in the Clay

Luci Shaw, in her newly released book, Thumbprints in the Clay: Divine Marks of Beauty, Roder and Grace (2016), traces the “thumbprints” of an endlessly creative, ever-creating God. ShawInterspersing poetry with autobiographical essays, Shaw writes, “I knew I had to make this writing the centerpiece, the birth announcement of my spiritual liberation and purpose in God.”

In addition to her reflections, Shaw includes moving reminiscences of her friendships with novelist Madeleine L’Engle, with whom she wrote several books, and mentor Clyde Kilby, her beloved and highly influential English professor at Wheaton College.

Thumbprints in the Clay is published by InterVarsity Press. The papers of Luci Shaw, Madeleine L’Engle and Clyde Kilby are archived at Wheaton College.

 

The Greg Livingstone Story

Greg Livingstone is a pioneer missionary to unreached Muslim peoples. His love for the millions of Muslims who had no opportunity to hear the gospel led to the founding of Frontiers, a mission agency specializing in church planting among Muslim nations and communities. LivingstoneFrontiers oversees 1,300 workers in 50 countries of Africa and Asia. Livingstone tells his story in You’ve Got Libya: A Life Serving the Muslim World (2014). The following passages relate his experiences as a student at Wheaton College in the late 1950s.

At Wheaton, I met for the first time real Christians who weren’t Baptists. I initially confused Plymouth Brethren with Jehovah’s Witnesses, because they used different church vocabulary than I’d known. But I figured that since Wheaton grad Jim Elliot, who had been killed two years earlier as a missionary in Ecuador, had been Plymouth Brethren, they couldn’t be that bad. Even more riveting to me was my discovery of Bible-believing Presbyterians. They seemed to love God with their minds!

Unlike me, most of the other students at Wheaton came from evangelical families. They’d heard it all before — sometimes ad nauseum. Far too many students were at Wheaton at the insistence of their families, who feared secular universities. Wes Craven, a suitemate during my freshman year, later became a director of horror films in Hollywood, despite spending his first twenty-two years imbibing sound biblical teaching.

In my quest to hang out with the spiritual guys, I got acquainted with an unknown Wheaton graduate, Bill Gothard, who was organizing Bible clubs in high schools. He asked me to oversee a group in Roselle, near Wheaton. Later, I became his assistant as he developed a new ministry. He would often use clever chalk illustrations to explain biblical concepts. Lugging his chalk board from church to church, we visited pastors to explain the principles that were later incorporated into his Institute of Basic Youth Conflicts. Gothard’s ministry was helpful to many young people.

My experiences at Wheaton College were certainly formative and preparatory for the rest of my life. Daily, we sat in chapel listening to some of the greatest bible expositors of the time. I was stunned when the British pastor Alan Redpath spoke on Jesus’ parable of the wheat and the tares. I worried that I might be chaff — that I wasn’t really born again. I ran back to my room, dropped to my knees, and prayed, “Lord, if I am not really converted, if I am not really yours, I submit to you right now as my Lord and Savior.” I’ve never had to bring up the question again.

You’ve Got Libya is endorsed by George Verwer of Operation Mobilization, Don Richardson, author of Peace Child, Professor John Frame of Reformed Theological Seminary and many others.

A Wheaton College Love Story

The Rock Island Argus, September 19, 1922, published the following delightful love story:

 A romance that endured through half a century approaches its climax at Evanston today, when Mrs. Ella H. Ellis, 73, of Evanston, and Edward F. Fox, 76, of Albany, Oregon, exhibited a marriage license. They were sweethearts when they attended Wheaton College together in 1868 and became engaged then, but Mr. Fox left to finish a college career at the University of Michigan. Then he went west. They drifted apart until both married others. The wife of Edward Fox died two years ago. When he came out and called on his old sweetheart while passing through Chicago, he learned that her husband, John Ellis, a Congregational minister, died 13 years ago. Old memories were rapidly recalled and other events forgotten. “There’s nothing half so sweet in life as love’s young dream,” Mrs. Ellis quoted as they planned their honeymoon.

When You Reach Me

Miranda, the saavy sixth-grade protagonist of Rebecca Stead’s When You Reach Me (2009), continually references her all-time favorite book, A Wrinkle in Time, as she faces her own baffling — and potentially deadly — time-travel conundrum in 1979 New York City. When You Reach Me is the 2010 winner of the Newbery Medal for Most Distinguished Contribution to American Literature for ChildrenStead. Stead writes in the Acknowledgments:

Every writer stands on the shoulders of many other writers, and it isn’t practical to thank of them. However, I would like to express my special admiration for the astonishing imagination and hard work of Madeleine L’Engle, whose books captivated me when I was young (they still do), and made me want in on the secrets of the universe (ditto).

Further commenting on the influence of L’Engle, Rebecca Stead says in an interview with Amazon.com:

I loved A Wrinkle in Time as a child. I didn’t know why I loved it, and I didn’t want to know why. I remember meeting Madeleine L’Engle once at a bookstore and just staring at her as if she were a magical person. What I love about L’Engle’s book now is how it deals with so much fragile inner-human stuff at the same time that it takes on life’s big questions. There’s something fearless about this book.

It started out as a small detail in Miranda’s story, a sort of talisman, and one I thought I would eventually jettison, because you can’t just toss A Wrinkle in Time in there casually. But as my story went deeper, I saw that I didn’t want to let the book go. I talked about it with my editor, Wendy Lamb, and to others close to the story. And what we decided was that if we were going to bring L’Engle’s story in, we needed to make the book’s relationship to Miranda’s story stronger. So I went back to A Wrinkle in Time and read it again and again, trying to see it as different characters in my own story might (sounds crazy, but it’s possible!). And those readings led to new connections.

The papers of Madeleine L’Engle are housed at the Wheaton College Special Collections in Wheaton, Illinois.

 

The Power of Self Command

Today it is common for public speakers to adopt informal methods of delivery. Contemporary audiences  might see the speaker slouching before them wearing bleached blue jeans with a loose, untucked Hawaiian shirt. In some instances, the speaker might even sit cross-legged on the stage, attempting to establish a friendly bond with his hearers.  Straw4However, the notion of excessively easygoing oratory delivered before an expectant auditorium was unfathomable when Dr. Darien Straw (1857-1950), Professor of Rhetoric and Logic and Principal of the Preparatory Department of Wheaton College, published Lessons in Expression and Physical Drill (1892), a consolidation of his classroom wisdom.

He emphasizes that proper posture, efficient gesticulation and precise elocution contribute immeasurably to the intellectual development and future success of the sensibly educated young man or woman. Outward order merely reflects inward stability. “Helping young people to discover ill temper in the voice, carelessness in the walk, selfishness in the bearing and laziness in the words,” writes Straw, “and giving them facility to avoid these, avails more than business proverbs and social precepts.” Throughout the book Straw offers helpful examples.

Straw2This gentleman stands in the drill position. “Heels together,” writes Straw, “toes turned out from 45 to 90 degrees apart, knees straight, body erect, head well back, chin slightly curbed, chest expanded, arms down at the side with the edge of the hand forward. A good test of erect positon is to stand with the back against a door or other vertical plane so that you can touch it in four places — with the heels, the hips, the shoulders and the head. If you find it difficult to do this there is the more reason for perservering in an erect position.  Once the drill position is properly maintained, the student can practice his vocals. Avoid any attempt at loudness,” warns Straw, “but listen to the tone to see if it is correct.”

Straw3Straw later discusses the calculated use of the prone hand and the supine hand. “The primary meaning of the Prone Hand is repression or covering. It is the reverse of the Supine hand, the palm is turned down. It has a great variety of uses, but all related to this primary meaning. The idea of the snow spread upon the earth contains also the idea of a covering. The idea of peace, quiet or stillness contains at the same time suppression of noise or movement and may be expressed by the Prone Hand. There is a gradual shading of this position to that of Averse hand, as we would repress an action or thought disagreeable. As our emotions shade into one another, so our action combines different expressions.”

 

“This, then,” writes Straw, “is an effort to help teachers in giving to pupils the power of self command.”

 

The Story of an Old Town, Glen Ellyn

Wheaton College, founded by Wesleyan Methodist abolitionists, was long rumored to be a stop on the Underground Railroad, though precise documentation was lacking. At last the rumor was verified in 2009 by historian Dr. David Maas while reading a regimental history noting that freed slaves were, indeed, aided and assisted on the college campus by friends before quietly moving on to the next station. The following entry from Ada Douglas Harmon’s The Story of an Old Town, Glen Ellyn (1928), a history of Glen Ellyn, adds a few intriguing details:

1853: Illinois Institute (Wheaton College) founded, first president, Prof. Lucius Matlack. It was one of the underground railway stations for runaway slaves, as well as the old Barnard or Filer home. Also Israel P. Blodgett’s home in Downer’s Grove. Mr. Blodgett would often conceal as many as eleven slaves in his attic, feed and clothe them and send on to the next station, the Illinois Institute. Here they were again hidden in an attic by President Matlack, till it was safe to send them on, perhaps to the Filer house on Crescent, where they were hidden in the barn. From there the slaves were taken to Chicago, one of the stations being the old Tremont House, and from there to Canada and safety. The slaves were transported in farm wagons loaded with produce under which they were concealed. All those local links with the past give a reality to the thrills Uncle Tom’s Cabin used to send quivering through one’s system. 

glenClarification: John Cross was likely the first president of the Illinois Institute, rather than Lucius Matlack.